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Nikon Coolpix S8100 12.1 MP CMOS Digital Camera with 10x Zoom-Nikkor ED Lens and 3.0-Inch LCD (Black)
nikon coolpix
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Nikon CoolPix S8100 12.1MP 10x-Black 26219. Supplied with AN-CP19 Strap; UC-E6 USB Cable; EG-CP16 Audio/Video Cable; EN-EL12 Rechargeable Li-ion Battery; EH-68P Charging AC Adapter; COOLPIX Software Suite CD-ROM.../ Nikon Coolpix S8100 12.1 MP CMOS Digital Camera with 10x Zoom-Nikkor ED Lens and 3.0-Inch LCD (Black) / nikon coolpix
- 12.1-megapixel CMOS sensor for high-speed operation and low-light performance
- 10x wide-angle optical Zoom-Nikkor ED glass lens
- 3-inch Ultra-High Resolution (921,000-dot) Clear Color Display
- Full HD (1080p) Movie with Stereo and HDMI Output
- Capture images and video to SD/SDHC memory cards (not included)
.../ Nikon Coolpix S8100 12.1 MP CMOS Digital Camera with 10x Zoom-Nikkor ED Lens and 3.0-Inch LCD (Black) / nikon coolpix
Nikon Coolpix S8100 12.1 MP CMOS Digital Camera with 10x Zoom-Nikkor ED Lens and 3.0-Inch LCD (Black)
nikon coolpix
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Nikon Coolpix S8100 12.1 MP CMOS Digital Camera with 10x Zoom-Nikkor ED Lens and 3.0-Inch LCD (Black)
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Nikon Coolpix S8100 12.1 MP CMOS Digital Camera with 10x Zoom-Nikkor ED Lens and 3.0-Inch LCD (Black)
nikon coolpix
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Customer Review :
Great Still photos & features, poor focusing in video & zoom noise : Nikon Coolpix S8100 12.1 MP CMOS Digital Camera with 10x Zoom-Nikkor ED Lens and 3.0-Inch LCD (Black)
Updated 1/14/11:
I was hoping to find a still/video camera that would give me the low light performance of my Fuji F20 and also allow me to avoid hauling colse to a isolate Hd camcorder. My comparisons show that the low light photos from the S8100 handily out achieve my Fuji F20 and by a good margin (which is no small feat inspecting that the 6Mp Fuji F20/F30/F40 pretty much set the thorough for low light performance in point-and-shoots). If great low light photos are what you're after, the S8100 is very good (but there is a penalty for this performance as I justify below). However, if you also want great low light video, the Nikon does not deliver. In my two weeks of testing, I've determined that the Canon Sx210 is the optimum selection if you want the best balance of low light photos and video.
Here are my observations after two weeks of testing:
Nikon S8100 Pros
-Nice build potential and easy-to-handle design. Feels like a pro-sumer $600 camera.
-Outrageous 3-inch, 921K pixel Lcd display --excellent clarity and detail.
-Decent Hd video in daytime lighting.
-Powerful flash that provides perfect illumination at all zoom settings (no flash shadow at wide angle).
-Usb battery charging in camera (can associate to your Pc to charge).
Nikon S8100 Cons
-No by hand operate except for +/-exposure compensation.
-No radiance or white balance settings for video (versus Canon's perfect institution controls).
-Videos are naturally too dark in low lighting (the Canon wins by a landslide here)
-Auto white balance is fooled by compact fluorescent lights (Canon's Awb is more reliable).
-Camera prefers low Iso settings even in low light and this can cause petition blur.
-Significant zoom motor noise while videos (versus the nearly silent Canon Sx210 zoom)
-Pop-up flash must be pushed back into camera body before stowing camera in case.
-Camera beep and shutter release sound can only be turned on or off (no volume adjustment like Canon)
Canon Sx210 Pros
-Very good low light video, video radiance operate of course boosts low light sensitivity.
-Very good still photos, camera chooses higher Iso settings to sell out petition blur
-Camera displays its Iso selection when you pre-focus (not possible with Nikon)
-Extensive customization settings for every shooting mode (versus small Nikon settings).
-Widescreen Lcd for full frame Hd video display
-Very good build quality
-Pop up flash automatically raises or lowers when you power on/off
Canon Sx210 Cons
-Body compose makes for tricky handling (no rear thumb grip, plane surfaces)
-Lcd is only 230K pixel (compared to the expected Nikon 921K pixel display)
-Still photo viewing area is much smaller on widescreen display
-Overall still image potential is slightly noisier than Nikon but only if you're pixel peeping
-Some flash shadow at the 28mm wide angle setting (disappears from 30mm on up)
Still Photo potential Comparison:
Photos in good lighting are comparable in the middle of the Nikon and Canon. The Nikon has the least noise at higher Iso settings. In low light, the Nikon of course shines and if you take photos of non-moving subjects, the S8100 is your best choice. However, there's a penalty for this performance: the Nikon chooses very low Iso settings (and therefore low shutter speeds) to achieve low noise photos --not good if your subjects are curious (you'll get blur). At high zoom, both cameras have to use lower shutter speeds and every super zoom camera suffers from this issue --it's the problem most population complain about when they try out their new cameras. The only way to solve this problem is to whether use the flash or set high Iso (something the Canon does automatically) in order to force the camera to plump a higher shutter speed. There is no other solution and no camera has yet been developed to solve this problem -it's a compromise of light, optics, and sensor sensitivity in compact camera bodies. For all colse to shooting, the Canon is more reliable since it chooses higher Iso (and hence faster shutter speeds) to capture non-blurry images. The Nikon's lower self-acting Iso "choices" will result in more blurry shots indoors unless you use the flash.
Hd Video Quality:
Both cameras have very good Hd video and perfect image stabilization in daytime lighting. As with most super zoom compacts, focus lock in low light is a challenge but the Canon Sx210 is great than the Nikon if you want faster focus lock while video. in reality, the Canon operates more like a dedicated camcorder with all the tweaks and settings you can fantasize --credit Canon's long history construction camcorders. Unfortunately, the Nikon operates as if video was a second thought feature and there's naturally no way to enhance its performance since there's no by hand control. The Canon's low light video brightness, focus speed, and silent zoom motor make for great video under all conditions. Conversely, the Nikon's noisy zoom motor is recorded in videos and the camera naturally can't provide bright, usable videos in low indoor lighting. In low light, the Canon is in a league of its own. If you're trying to video children or pets running back and forth fast at close range to these cameras then you'll be disappointed in Any super zoom compact camera you try. The fact is the ultimate, magic "focus anywhere instantly" machine has not yet been invented. However, as an alternative to lugging colse to a dedicated Hd camcorder, the Canon Sx210 is hard to beat for convenience and consistent Hd video quality.
Overall:
I really, of course wanted to keep the Nikon S8100. It has superb handling quality, great low light still photos and an impressive 921K pixel display. I have owned any Canon and Fuji digital cameras and have never seriously determined Nikon's point-and-shoot offerings until the introduction of the S8100. However, the Nikon is not a well-rounded still/video camera. It does a few things very well but fails at others. The Canon Sx210, on the other hand, is a much great performer at each end of the still photo and video spectrum. The Nikon is great camera to hold and operate from a hardware standpoint, but the Canon naturally out performs it when it comes to getting the best potential photos and videos under a wide range of shooting conditions. After months of investigate and camera testing, no particular camera does all things perfectly. However, I believe the Canon Sx210 provides the best balance of performance among its peers if you're looking for a pocketable, super-zoom camera to provide both good photos and Hd video.
Update: special Note On Pop-Up Flash
A lot of population complain about the pop-up flash on super-zoom cameras since the flash is usually located on the top left projection of the camera body and occupies the space where you want to hold the camera. Be advised that the pop-up flash is a corporal necessity in order to move the flash far enough away from the camera so that the long, super-zoom lens doesn't cast a shadow on your subject when the flash fires. If you of course don't like the inconvenience of the pop-up flash then your only selection is a small (7X or less) zoom camera or a bulkier Slr-type. If you want a pocketable super-zoom, you'll just have to get used to this flash placement. It may be a minor inconvenience at first, but in the end it's a non-issue and should not be the sole suspect you give up on the expected performance that compact, 14X zoom cameras like the Sx210 have to offer.
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